[as
originally published on BizBash.com 01.29.06 ]
The industry awards after-party featured lavish white decor that avoided a minimalist look with thousands of inverted lilies.
The calla lilies were in bloom again at the 12th annual
Screen Actors Guild awards gala, but
Kate Hepburn would never have recognized the
flowers she immortalized in Stage Door.
Event designer Stanlee R. Gatti literally stood
them on their heads in a lavish display that paid tribute to
Hollywood's new breed, many of whom cruised the post-show party
clutching their newly minted SAG statuettes.
"We hung the calla lilies upside down because we had a flip-flop
in Hollywood," said Gatti, who came down from San Francisco to
work with event producer Ikus & Company on the
fete. It was Gatti's third turn designing the SAG event
co-hosted by People magazine and the
Entertainment Industry Foundation. Thousands of
flowers hung from the ceiling to form a sheet of blossoms that
bisected the main tent, while others were bound in three-level
sheaves or placed in square glass vases on parsons tables—50,000
calla lilies in all. Working with People's Cyd
Wilson (who also works
on
In Style's Golden Globes
bashes) Gatti cast calla lilies, all the rage during the Art
Deco era, as part of his tribute to the heyday of SAG life
achievement award honoree Shirley Temple Black,
whose film career bloomed during the 30's.
In a nod to her black-and-white movies, Gatti used a
black-and-white palette, draping 4,500 yards of white linen to
build an 8,160-square-foot tent with black trim. Couches covered
in a white cashmere-linen blend with black piping sat on thick
stripes of black carpet, which alternated with white. Bars and
buffets of salmon, pork, green salad, and vegetarian Cobb salad
coordinated with the decor, with upholstered fronts that matched
the seating. Columns were spotlighted and lit from within to
prevent them from taking on a yellow tinge.
Images of the show flashed silently on flat screens in the
adjacent smoking tent, which Gatti had freshened with sprays of
gardenias circling poles that buttressed the columns. While a
band played lounge music in tune with the neo-retro decor, the
winning casts of Lost and
Desperate Housewives traveled through the party
like schools of fish. Gatti said he found the crowd inspiring.
"What I loved about the doing it for a group like this is these
are creative people," he said. "Even though their craft is
different, it still comes from some sort of muse, so it was
really cool to see them respond in the way that they did."
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